About this book
Overview
In Eydel's images, modes of human coexistence form into spatial structures and social frameworks. The visual order of these aesthetic surfaces leads to conclusions about underlying notions and theories; as such, they always also refer to the identities of individuals and possible alternatives to reality. The ostensible objectivity of Eydel's photographic language opens up a crucial space for the viewers. The representation of reality and the spatial logic of the image as a representative instrument are also questioned.
Contributors
Helmut Draxler, Clemens Krümmel, Ariane Müller, Kathrin Peters